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SUMMARY:Technologies in the Theory and Practice of Greek and Roman Perform
 ance and its Reception
DTSTART;TZID=Europe/London:20260625T090000
DTEND;TZID=Europe/London:20260625T170000
DTSTAMP:20260614T180743Z
UID:208a5c49-1f42-f111-bec7-7c1e52046848
CREATED:20260427T095606Z
DESCRIPTION:This Symposium focuses on the reception of Greek and Roman tra
 gedy\, comedy\, satyr play\, epic\, lyric\, and other texts in performance
 \, exploring their afterlives through re-workings by writers and practitio
 ners across all genres and periods. This year’s theme seeks to explore h
 ow technology\, broadly conceived\, has shaped ancient drama and the moder
 n reception and performance of Greek and Roman drama. The relationship bet
 ween technological innovation and ancient drama is discernible in both the
  ancient and modern worlds. Its implications range from questions surround
 ing ancient stage technologies such as the mēkhanḗ (μηχανή)\; to 
 the relationship between ancient performance and the development of litera
 ry and material cultures\; and to the role that digital technologies play 
 in and around modern performances of Greek and Roman drama.
LAST-MODIFIED:20260427T095729Z
LOCATION:St Hilda's College\, Cowley Place Oxford
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