BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//ox.ac.uk//NONSGML oxford.event//EN
X-WR-TIMEZONE:Europe/London
BEGIN:VTIMEZONE
TZID:Europe/London
X-LIC-LOCATION:Europe/London
BEGIN:DAYLIGHT
DTSTART:19700329T010000
RRULE:FREQ=YEARLY;BYDAY=-1SU;BYMONTH=3
TZNAME:BST
TZOFFSETFROM:+0000
TZOFFSETTO:+0100
END:DAYLIGHT
BEGIN:STANDARD
DTSTART:19701025T020000
RRULE:FREQ=YEARLY;BYDAY=-1SU;BYMONTH=10
TZNAME:GMT
TZOFFSETFROM:+0100
TZOFFSETTO:+0000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
SUMMARY:Painting and Genre Conference
DTSTART;TZID=Europe/London:20260806T134500
DTEND;TZID=Europe/London:20260806T190000
DTSTAMP:20260709T040357Z
UID:c3060a19-f87a-f111-ab0e-70a8a576d3d8
CREATED:20260708T180907Z
DESCRIPTION:Painting genres structure artistic practice\, shape reception\
 , and inform institutional frameworks. Yet within art history\, the study 
 of genre has often been overshadowed by iconographic and formalist approac
 hes. This one-day conference brings together scholars whose papers place g
 enre at the centre of the analysis of painting\, foregrounding it not mere
 ly as a classificatory device\, but as a critical category through which a
 rtistic production\, reception\, and historiography can be re-examined.\n\
 nConference programme:\n\n13.45 – Welcome and introduction by Sofya Dmit
 rieva\n\n14.00-15.00 – Panel 1: Definitions\n* Emma Barker (The Open Uni
 versity)\, Defining genre painting\n* Miles Fletcher (University of Cambr
 idge)\, Een Algemeen Schilder: Landscape\, Technology\, and the History o
 f Depiction in England and the Low Countries\, 1649–1702\n\n15.00-16.00 
 – Panel 2: Institutions\n* Anastasia Skoybedo (University of Cambridge)\
 , Landscape Painting within the Soviet Hierarchy of Genres. The case of t
 he Leningrad Landscape School\n* Alyse Muller (Columbia University)\, The
  Genealogy of the Marine Genre in France\n\n16.00-17.00 – Coffee break\n
 \n17.00-18.00 – Panel 3: Taste\n* Daniel Sobrino Ralston (National Galle
 ry)\, The Rise and Fall of a Genre in Second Empire Paris\n* Vittoria Cer
 vini (Royal Collection Trust)\, From Carlton House to Buckingham Palace. 
 Seventeenth-century genre paintings in George IV’s collection\n\n18.00-1
 9.00 – Panel 4: Reimaginings\n* Tom Zille (Mucha Foundation)\, Queering
  the Conversation Piece\n* Sarah Hegenbart (Heidelberg University)\, Towa
 rds Transcultural Pictorial Genres\n\nAttendance is free of charge\, and n
 o registration is required. A light lunch and refreshments will be provide
 d. Further details can be found via the following link: https://www.seh.ox
 .ac.uk/events/painting-and-genre-conference
LAST-MODIFIED:20260708T184143Z
LOCATION:St Edmund Hall - Old Dining Hall\, Old Dining Hall St Edmund Hall
  Queen's Lane Oxford Oxfordshire OX1 4AR United Kingdom
END:VEVENT
END:VCALENDAR
